“Twenty-six words for Vulva: A is for Aperture.” phoebe (2019): 91. “Associations with Acid.” Glass: A Journal of Poetry (2019). “Twenty-six words for Vulva: S is for Seedpod.” Whale Road Review (2019). “We Were Women, We Were Already Receding.” Poem-a-Day by the Academy of American Poets, 2 Jan. “Twenty-six Words for ‘Vulva’: B is for ‘Bloodroot,’ or, We Loved Like Bloodroot, Like Stemless Bleeding Things.” Lover’s Eye Press (2021). “The Art of Flossing Isn’t Hard to Master.” Lover’s Eye Press (2021). Pepper Shots with Grade School Crush at Their High School Reunion.” Lover’s Eye Press (2021). “Recently Out Queer Woman Does Flaming Dr. Winner of the inaugural Live Out Proud Poetry Contest organized by the Rainbow Alliance, NEPA Pride Project, and NEPA Creative. “ D is for Delta, or, Estuary, as Two Marry, a Tidal, a Bridal Opening.” Discover NEPA, 7 Oct. “Visualization.” Bone Bouquet (forthcoming). “Attribution.” Bone Bouquet (forthcoming). “Nude with Circular Saw.” Women Write Resistance: Poets Resist Gender Violence. “Nude with Puzzle Piece.” Women Write Resistance: Poets Resist Gender Violence. Courtney Leigh Jameson and Kathryn Gutting. “Epithalamion.” In #GhostMotel White Stag Anthology. “Voicemail on Your Birthday Three Years after You Didn’t Do It.” In #GhostMotel White Stag Anthology. “Because a line has no endpoint.” In #GhostMotel White Stag Anthology. “We Were Women, We Were Already Receding.” In Dream of the River. “You say ravine and ravenous derive from the same, so.” In Dream of the River. Winner, National Indie Excellence Awards, 2021. Graduate Teaching Assistant, University of Louisiana at Lafayette, Department of English, 2012-2017. Lecturer, University of Alabama in Huntsville, Department of English, 2017-2018. Program Director, The University of Scranton, Health Humanities Concentration, 2021-present.Īssociate Faculty, The University of Scranton, Women’s and Gender Studies Program, 2021-present.Īffiliated Faculty, The University of Scranton, Women’s and Gender Studies Program, 2019-2021. Summa cum laudeĪssistant Professor, University of Scranton, Department of English and Theatre, 2018-present. M.F.A., Creative Writing (Poetry), Sarah Lawrence College, 2012.ī.A., Creative Writing, B.A. Scranton, PA English and Creative Writing, University of Louisiana at Lafayette, 2017.ĭissertation: Graft Fixation, and Collision, Consent, Construction: Narrating Injured Women Runners’ Identities, and Notes toward a Feminist Injury Poetics. In Cincinnati, the landing stage of the promised land for travelers on the Underground Railroad and the home of Harriet Beecher Stowe, we meet to seek the freedom that only the realm of the imaginary made real through language can create.Department of English and Theatre, McDade Center for Literary and Performing Arts Words can change the real state of human being, can remake a person from a slave to a citizen. As Sigma Tau Deltans, we know that language is a powerful tool of liberation. It’s a beautiful thing, a necessary thing, the thing without which nothing else matters-“needful to man as air,” as Robert Hayden writes in his poem “Frederick Douglass.” But, like air, how can you hold freedom in your hand, or even know for certain when you have it, or keep it in your tenuous grasp? We all are moved to this quest, from children seeking the freedom of adulthood, to people looking for refuge from natural disaster or any of the many kinds of disaster man wreaks, to those working to throw off oppression.
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